According to the TV guide provided courtesy of The Daily Mail, which is without any doubt the very best TV guide produced by anyone so don't give me an argument about it, some clever chappie on BBC2 is going to give a talk next week on 'beauty'. It nudged my tired and third-rate brain into musing upon the subject - so don't expect too much in the way of enlightenment.
A 19th century lady, Margaret Wolfe Hungerford, told us that "Beauty is in the eye of the beholder" but the philosopher, David Hume, put it further back behind the eyes and into the brain, writing "Beauty in things exists in the mind which contemplates them". Of course, that implies, rather irritatingly for tidy-minded people, that there is no universal 'beauty' to act as a template and to which we might compare our own particular sense of 'beauty'. It's all relative, as that loon from Berne told us a hundred years ago, in a somewhat different context.
Even so, 'beauty' does exist for each of us. We know it instantly when we see it or hear it. One of those peculiar but measurable physiological, and therefore material, re-actions takes place even though the cause is immaterial and beyond mere measurement. It is, I suppose, an example of that mysterious interface between mind and body which my e-pal, 'Bongers' and I discussed the other day in a thread down below. Beauty comes in different sized packets but if it is sufficiently large it causes an intake of breath, a momentary frisson of excitement, a heightened emotional response. But what is it? What is the essence of the thing that causes the re-action?
If sight is involved the psychologists suggest that symmetry is involved. At first glance (no pun intended!) that seems true when one contemplates the great buildings of the world

Picture by Anjoita
However, this conglomoration of old houses on a cobbled hill set in the Dorset countryside contains not a hint of symmetry anywhere but produces in me much the same re-action as the Taj Mahal.

Picture of Gold Hill, Shaftesbury, the scene of the famous Hovis advert. http://www.dorsets.co.uk/Shaftesbury/
Of course, it does not have the grandeur of the Taj Mahal but for me the effect is the same.
Any talk of 'beauty' naturally leads to "the ladies, God bless 'em", and here again symmetry is supposed to be all important. There can be no doubting Elizabeth Taylor's symmetry and beauty, it is perfection, and yet . . . and yet . . .
By dstarprincezza
When it comes to human 'beauty' it cannot be divorced from human personality, and that, alas, is often a downfall. It hardly needs saying but ideas of human beauty change through the ages. The 17th century notion of female beauty appeared to be measured by weight rather than symmetry!

From: http://en.wikipedia.org/wiki/Susanna_and_the_Elders_(Rubens)
Perhaps one should not confuse the full figures favoured by Rubens for the purposes of showing musculature and the reflection of light, for his personal taste in women and I have no idea what Mrs. Rubens looked like! Personally, I have never met a perfectly beautiful woman and so I cannot gauge how I would re-act to her. I would hope to withold judgment until I knew her better, but I'm a man, so not much chance of that! However, I have met very many attractive women - and no, don't ask me to define the word 'attractive', like 'beauty', you know it when you feel it. The point about attractive women is that they are not symmetrical, and perhaps there-in lies their attraction.
I have not touched upon the beauty of sound as expressed in music. Again, you can measure the physical response to the catalyst of sounds and rhythms but exactly where or in what lies the beauty it is impossible to say, but exist it undoubtedly does. The beauty of words is perhaps the most mysterious of all beauties. Let this speak for itself:
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes.
Byron: Hebrew Melodies
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