66 years ago today, I, as a child evacuee, 'slept soundly in my bed because rough men stood ready to do violence on my behalf' - I trust Orwell will forgive my personal paraphrase. In fact, during that night as I dreamed my childhood dreams, those 'rough men' from the British and American airborne forces were tumbling from their aircraft over a darkened and occupied France, and as dawn inched above the horizon the greatest armada in the history of the world stood ready to disgorge its cargo of civilian-soldiers across the exposed beaches of Normandy. I stress the word 'civilian' because these were not, on the whole, battle-hardened warriors who had devoted their working lives to the business of war, but clerks and plumbers and farmers and shop-assistants called, more or less reluctantly, to the colours to fight - well, to fight what, exactly? I suspect that a small minority understood the subtleties of the geo-political struggle of which they were a part but most, I guess, simply accepted that an amorphous menace simply had to be dealt with. None of that would have been in their minds as their landing craft bashed and crashed through the swell and the dread moment approached when the ramp would splash down and they would have to face the bullet-swept beaches. The First World War had its poets to express in words the maelstrom of emotions that war invokes. For the Second World War we must turn to the most unlikely of sources for unforgettable imagery - Hollywood! The first 25 minutes of Steven Spielberg's film Saving Private Ryan is the very greatest monument to all the men who faced - and those who fell - during those horrific early moments on the beaches in Normandy.
No need to dwell on it for too long - and I trust I have avoided undue sentimentality - but still, worth just a moment to pause and to remember and to inwardly salute.
Recent Comments